Category: Publishing

This is my home for author interviews. I produce podcasts and interview indie authors for the Alliance of Independent Authors; and I write about Jewish authors and Jewish-themed books for Publishers Weekly. This area will be updated with new stuff, greatest hits, and some commentary/advice for authors and editors. Enjoy!

  • Phyllis Cole-Dai Writes on Human Connection

    Phyllis Cole-Dai Writes on Human Connection

    My podcast guest is Phyllis Cole-Dai, whose work spans topics as disparate as homelessness and the plight of American Indians. For Phyllis, here’s what they all have in common. She is able to totally immerse herself into these topics that tend to divide us and come back with stories about how they impact individual humans. If we see individual people, learn their stories, then maybe we can all find common ground in these divisive times.

    You can listen to my interview with Phyllis Cole-Dai by clicking the arrow below.

    Or take a look at the entire post, and transcripts, at the Alliance of Independent Authors. Look at previous indie author podcasts here. You can listen and subscribe to all my author-interview podcasts for the Alliance of Independent over here.

  • ‘Friend Grief’ Books Help Deal With Loss

    ‘Friend Grief’ Books Help Deal With Loss

    Friend Grief
    Victoria Noe

    My podcast guest is Victoria Noe, whose experience working with AIDS patients in the 1980s prepared her to write a series of “Friend Grief” books on dealing with loss when somebody close to you dies.

    What Victoria worked on was a way of making sense of her own grief for a friend. And she found that she’s not alone in needing a way to cope, or at least seeing how other people cope with grief. She came up with her series of books on ways people grieve for friends.

    Victoria also has advice for other authors who tackle such serious subjects.

    You can listen to my interview with Victoria Noe by clicking the arrow below.

    Or take a look at the entire post, and transcripts, at the Alliance of Independent Authors. You can listen and subscribe to all my author-interview podcasts for the Alliance of Independent over here.

  • Indie Success With Comedy Science Fiction

    Indie Success With Comedy Science Fiction

    Comedy Science Fiction

    My podcast guest is Scottish author Barry Hutchison, who has found great success as an indie author writing comedy science fiction and crime thrillers.

    These two genres might seem to be unrelated, but to Barry it was about combining topics that interested him with a market that needed to be filled.

    The result has been a successful transition from traditionally published author to indie, and he has not looked back.

    You can listen to my interview with comedy science fiction writer Barry Hutchison by clicking the arrow below.

    Or take a look at the entire post, and transcripts, at the Alliance of Independent Authors. You can listen and subscribe to all my author-interview podcasts for the Alliance of Independent over here.

  • Turning Real Life Into Nordic Mysteries

    Turning Real Life Into Nordic Mysteries

    My podcast guest is Helena Halme, a writer of romantic Nordic mysteries. She lives in the United Kingdom, but is originally from Finland. Before she became a novelist, Helena played a small, but important, part in Cold War history as a translator for the BBC.

    In addition to her Nordic mysteries, Helena writes nonfiction on how to turn your life into fiction and how to write in a language that’s not your own.

    We talk about Helena’s adventures at the BBC, her recent work, and her role as ALLi’s Nordic ambassador. Oh, and we’ll also learn her favorite ABBA song.

    You can listen to my interview with Helena Halme by clicking the arrow below.

    Or take a look at the entire post, and transcripts, at the Alliance of Independent Authors. You can listen and subscribe to all my author-interview podcasts for the Alliance of Independent over here.

  • Author Imagines an Alternate-History Rome

    Author Imagines an Alternate-History Rome

    Alternate History

    I recently spoke to Alison Morton, whose background as a translator, historian, and British army veteran makes her uniquely qualified to write an alternate history of Rome, asking what would have happened had the Roman Empire survived into modern times … and it was ruled by women.

    Alison’s varied background gave her the opportunity to meet all kinds of people and observe them. And, as most writers know, what you experience in life, the characters you meet, is all part of your book research.

    In this show, Alison talks about her obsession with Rome, how and why she chose to write an alternate history, feminism, and gives advice to other writers on how to create whole new worlds.

    You can listen to my interview with Diana Stevan by clicking the arrow below.

    Or take a look at the entire post, and transcripts, at the Alliance of Independent Authors. You can listen and subscribe to all my author-interview podcasts for the Alliance of Independent over here.

  • Author in 70s Draws on Deep Well of Experience

    Author in 70s Draws on Deep Well of Experience

    Diana Stevan

    Diana Stevan is in her 70s and is beginning to hit her stride as a prolific indie author of novels about family, love, and relationships.

    Her third self-published book, called Sunflowers Under Fire, is set in WWI and the Bolshevik Revolution. It’s based on stories told to her by her mother and it’s a finalist for the 2019 Whistler Independent Book Awards, sponsored by the Writers Union of Canada.

    Diana is able to draw on a wide range of experience, from working at a meat-packing plant to an actress and model—but most of all as a family counselor—to accurately portray people in difficult circumstances.

    You can listen to my interview with Diana Stevan by clicking the arrow below.

    Or take a look at the entire post, and transcripts, at the Alliance of Independent Authors. You can listen and subscribe to all my author-interview podcasts for the Alliance of Independent over here.

  • Confederate Jews Confuse Southern Narrative

    Confederate Jews Confuse Southern Narrative

    I have a complicated relationship with the South, to say the least, which is why I leapt at the chance to talk about Confederate Jews with Sue Eisenfeld, author of Wandering Dixie: Dispatches from the Lost Jewish South, for Publishers Weekly.


    Author Rediscovers a Nearly Forgotten Jewish South

    Sue Eisenfeld finds it fascinating that when neo-Nazis and neo-Confederates shouted “Jews will not replace us” in Charlottesville, Va., in 2017, they did so as they gathered around a statue of Thomas Jefferson that was created by Jewish sculptor Moses Ezekiel. The sculptor, in turn, was firmly on the Confederate side. There’s a lot to unpack in that scene—those who hate Jews rallying around a sculpture created by a Jew who was actually sympathetic to the Confederate cause. It is at this intersection of many prejudices, false historical assumptions, and the legacy of the Civil War that appeals to Eisenfeld. Read the entire feature at Publishers Weekly.


    Sue’s experience of the South was different from mine, since she interviewed Jewish families that can trace their lineage back at least to the Civil War. Their ancestors were proud Confederates. She told me that she’s not judging the Jews of the Confederacy, since the norms of society were different. I’m not sure I give Confederate Jews the historical pass that she does, but I understand why she did it.

    When I lived in the South, I was very much an outsider, the son and grandson of Hungarian Jewish Holocaust refugees. Years later, I remember my grandfather asking my dad how the heck we decided to live in Georgia, which is “full of anti-Semites.” I’ve written before about my experiences as a Jew in the South, including in the Jewish Daily Forward.

    Not included in my PW piece was a dialogue I had with Sue about the Jews of Charlottesville during the neo-Nazi march in 2017. I had the feeling they were no sons and daughters of the Confederacy. In fact, the police—largely in favor of the Charlottesville marchers—failed horribly to protect the local synagogues during the rally. It was, in part, this knowledge (and probably anti-Southern prejudice) I have that prompted me to speak out just after Charlottesville at a local rally in my hometown of Traverse City, Michigan. Here’s part of what I said:


    ‘I’ve Seen This Before’ — My Speech at an anti-Nazi Vigil in Traverse City, Michigan

    When the Holocaust deniers in the White House tell you that there are “many sides” to the story of Charlottesville. “Many sides” to the story of a group of Nazis, feeling so empowered by their president that they feel it is OK to slam a car into a group of anti-fascist protesters and murder a young, idealistic woman, Heather Heyer, who stood up for what was right, it is an invitation for more armed Nazi thugs in the streets, killing and beating the defenseless. How do I know? Through my murdered family, I have seen this before. Read the rest of my speech here. 


    So, I was probably even more shocked than Sue to find there were Confederate Jews, but her book does manage to provide context and, more importantly, to try to look forward rather than backward. “Seeing Jewish culture in the heart of the South might force readers to think about what she calls ‘the two touch points between African-American history and Jewish history in the South: slavery and the Civil Rights Movement.’ And that Jews, even if in some cases they were also considered second-class citizens, were still beneficiaries of institutional racism.”

    There’s a lot to unpack in that Sue sees Jews as white and benefitting from white privilege, yet my own experience in the South was very different. There are no right or wrong answers, since all these things can be experienced at once. It’s part of the baggage involved with being a Jew. And, to be a Jew in the South, the baggage becomes heavier.

  • Interview With Top Indie Author Jane Davis

    Interview With Top Indie Author Jane Davis

    Jane Davis

    We don’t have very many rock stars in the indie publishing world, but a few have risen to the top with a reputation for producing wonderfully written, compelling books that stand out as great literature, no matter what label you put on it. One of them is Inspirational Indie Author Jane Davis.

    Jane was recently recognized as one of the best self-published authors of the year with the new Selfie awards for her book called Smash All The Windows, which is also smashing all the preconceptions many people have about self published books.

    Smash all the Windows is based on a real disaster in a football stadium in 1989. Jane discusses how fiction can help humanize big disasters, placing them in perspective while assigning what she calls “unblame.”

    Read more of my interview with Jane at the Alliance of Independent Authors, or listen to the podcast below.

  • Susan Grossey Writes of Money, Human Nature

    Susan Grossey Writes of Money, Human Nature

    Susan Grossey
    Susan Grossey

    Author Susan Grossey successfully uses financial intrigue when she crosses over from the real world into the world of fiction. In real life, Susan helps prevent financial crimes.

    Her day job is in anti-money laundering, advising institutions such as banks and casinos. In her books, Susan goes back in time to the Regency period to explore money as the root of evil. She does it through here Constable Plank books.

    Read the full blog post at the Alliance of Independent Authors site. Or, if you have nine minutes and fourteen seconds to spare, click on the audio link below and listen to my interview with Susan.

    Listen to all my podcasts for the Alliance of Independent Authors here!

  • Remix Judaism, But the Song Remains the Same

    Remix Judaism, But the Song Remains the Same

    Remix Judaism

    In my latest feature for Publishers Weekly, I interviewed Roberta Kwall, author of Remix Judaism: Preserving Tradition in a Diverse World. Kwall’s book answers, in part, a question I asked in a JTA piece I wrote last summer. Now that Jews are finding their way back to “feeling Jewish” due to a rise in anti-Semitism, how do we get them back to “being” Jewish? It’s in the “remix.” You can read “the writers’ cut” of my JTA piece here.

    And, in the tradition of offering my blog readers slightly different versions of my stories, here’s the raw, unedited version of my feature on Roberta Kwall:


    When sound engineers remix music, they break it down into its component parts and then recombine the pieces into something that may still be the original song, but with subtle differences. Maybe they’ll add a heavier bass line for dancing or make that screaming guitar solo pop. Well, take that idea and apply it to Judaism. Add an emphasis on lighting the candles on Friday nights, or decide to keep kosher, or follow any other Jewish ritual. Just one of them. And what you have is something author Roberta Kwall calls “Remix Judaism.” It’s still Judaism, it’s still the same old song, but with personalized features. And, more importantly, it is tied to Jewish ritual.

    “There’s a lot of interest in creativity,” said Kwall, author of Remix Judaism: Preserving Tradition in a Diverse World (February 2020, Rowman & Littlefield). “But how much of it is being connected to ritual? There’s so much activity in the American Jewish community, but very little, in liberal circles, is being focused on the ritual and how to make the ritual meaningful.”

    In other words, any “remix” of Judaism has to be recognizable as the same old song even when there are added emphases or flourishes.

    This is a point that Kwall began to make in her previous book, The Myth of the Cultural Jew (2016, Oxford University Press), where she argued that secular Jews who claim they are “cultural Jews” only don’t realize that Jewish culture has its basis in Jewish law. “The law and the culture are inextricably intertwined,” she said.

    Kwall, a law professor at the DePaul University College of Law, did her initial scholarly work in the doctrine of moral rights, under which an author has the right to preserve the integrity of their work and not have it compromised against their will. So, the question she kept asking was how much you can change the pages of a book, a piece of music, and still consider it the work of the author.

    “I woke up one day and said, ‘Oh my gosh, you can ask the same question about Jewish tradition,’” Kwall said. “How much can it change and still be Jewish tradition?”

    For example, Kwall said, her daughter once told her: “I just think, Judaism is about being a good person.” This is part of what many liberal secular Jews call Tikkun Olam, or “repairing the world.”

    “Well, I said, sure. Tikkun Olam is a part of Jewish tradition, of course. But if you’re going to just take that and divorce it from ritual, you need the ritual as well,” Kwall said. “And that’s really what my book is trying to show. You need the ritual. It doesn’t mean that you have to practice the ritual in the way that theologically observant Jews are practicing it. You don’t have to practice it to the same level or with the same or the same amount. But you have to be doing some ritual.

    Tikkun Olam is a part of Jewish tradition, of course. But if you’re going to just take that and divorce it from ritual, you need the ritual as well. And that’s really what my book is trying to show.

    And sticking to the ritual is important, she said, because that is how you transmit the ritual to the next generation. “That’s really what my book is trying to do,” she said. “It’s trying to show how you can tap into personal meaning in order to get yourself to perform the ritual, and the importance of consistency.

    Kwall gives the example of lighting Shabbat candles every Friday night because the candle holders might have belonged to a deceased relative; or decided to refrain from eating pork out of concern for the conditions under which farm pigs live. Both of these actions conform to Jewish custom or law, even if they did not come by these rituals or actions for Jewish reasons.

    Kwall said she felt her book was necessary because as she speaks at synagogues and listens to concerns over whether their kids will continue Jewish traditions, she hears very little about how the Jewish community arrived at this place. Instead, the dialogue in Jewish communities have become polarized politically between right and left. Conservative or liberal politics, though, does not transmit to younger people in a way that sustains Jewishness. To Kwall, that is “unacceptable.”

    “To me, there’s just so much beauty in Jewish tradition, that it can’t be the property of just any one sector of the Jewish community. And it shouldn’t be. But I think a lot of people don’t really have enough guidance for how to own it and how to make it their own.”

    Kwall hopes her book can trigger a dialogue in Jewish communities over transmission of ritual to younger generations. No matter how the rituals are remixed, it will still be recognizable as Judaism.

    “Think about how much stronger American Jews would be if every Jewish family were at least coming together on Friday night. If every American Jewish family we’re just sitting down together even for one hour on Friday night with no technology, lighting a candle, saying a quick bracha (blessing) over the wine and talking to one another even for an hour., Think how much thicker our cultural religious tradition would be here.”